Some stories are revealed only when we stop looking for a face.

Shot from the Back turns attention away from identity and toward presence. Its sculptural silver form suggests a figure seen in passing, inviting the imagination to complete what remains unseen.

What we cannot see often tells us as much as what is placed before us. Distance, silence, and absence leave space for interpretation, transforming observation into participation.

Sometimes, the truest encounter begins when we are no longer looking into someone’s eyes.